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«Luigi Ugolini's writing once again suggests to the Natural Man, or to the man created to understand the intangible codes of Nature, to establish an inviolable link with the environment of his life. In the case of this A man alone in the wood, the trees, united in a more or less dense forest, become the feeling of a simple soul, made bark and body in the figure of Christmas, arboreal and arboricular creature that moves among the leaves noting , with the gaze of the solitary contemplator (a look dear to the Ugolini poet and painter), the friable murmurs of the shrubs, the rapid or indolent chatter of the leaves, the lively peeps of the feathered scrub birds in the image and likeness of the wooded place in order to to deceive the eye of the hunter to the point of doubting the truth. The forest is always mysterious, a metaphor of the unconscious, of the dreamlike wandering, sap of the fabulous, miasma of sin. Bosco as an escape, as a refuge, as a prison and liberation. Bosco in this writing, as a home, or rather as a space in which to live a present of sweet and bitter struggles and a future (the one with Giulia, the woman) of profound hope. Compound forest of leaves, above all. Lobate, lanceolate, needle-like leaves, changing instruments of sounds carried by the sharp and changing pipes of the winds. Leaves that peel off, fall, linger, tremble, breathe all the airy green of the Tuscan land ». [From The Man and the Leaves, by Lina Maria Ugolini] |
The need to acquire an ever-increasing level of knowledge through the collection of data and useful information has become an essential element for the management of the avifauna heritage of the Western Palearctic. In this regard, this work has been published ...
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